http://www.ecologyandsociety.org/vol16/iss1/art25/
Use the above link for an article in an online journal: "Resisting Diversity: A Long-term Archaeological Study" by M.C. Nelson, M. Hegmon, S. Kulow, M. Peeples, K. Kintigh, and A.Kinzig. Copyright 2011.
Thursday, December 22, 2011
Wednesday, December 21, 2011
Hohokam - University Indian Ruin
University Indian Ruin, Tucson, Arizona: This site preserves 13 acres of a Classic Period Hohokam Settlement (A.D. 1150-1450). At the center is a large platform mound that served as the civic and ritual building. A much smaller platform mound to the east was also used simutaneously. Upon excavation of an adobe structure, a wide array of core and ground stone artifacts and parts of Bison were strewn throughout. Most interestingly, Zuni Glaze Wares were also found, suggesting late occupation. Large amounts of burned trash, useful tools, and reconstructible bowls were found throughout the fill. (Glyphs, Vol. 61, No. 12, June 2011)
Wednesday, December 7, 2011
Tuesday, December 6, 2011
Monday, December 5, 2011
Sunday, December 4, 2011
Wednesday, November 30, 2011
Sunday, November 27, 2011
Papago / Tohono O'odham Potter: Susie Pedro
Thanks to personal correspondence from a private collector we have been able to add another potter to the Papago / Tohono O'odham list. Susie Pedro.
http://www.rarepottery.info/PapagoTohonoOOdhamVirtualMuseum.htm
Wednesday, November 16, 2011
Cochiti Potter - Virgil Ortiz
Born: 1969
Contact: www.virgilortiz.com
Vessel Forms: Figures/Effigies/Monos, Ollas/Jars, Canteens
Comments: 2006 Santa Fe Indian Market Poster Artist
Not only is Virgil a ceramic artist, he is also a fashion designer.
Trademark graphic black swirls.
Even though the standing figures or Monos that Virgil makes are very contemporary in appearance, they are actually a revival of a form that first was seen in the late 1800s. Virgil redefines these early forms into his own creations, which stand out and get noticed. Yet his every step involves traditional pottery making techniques. Virgil digs his own clay and processes it, then builds the figures from coils. Over a white clay slip he paints his vessels with black pigment from wild spinach leaves. Then fires in an outdoor open fire.
References:
Indian Market Magazine, Santa Fean Publication
2006 Collector's Edition
Thursday, October 6, 2011
Santa Clara Potter - Candelaria Baca
There are so many potters that we have not added to our web site. To put a potter to the top of the list, we take special requests. The most rescent request was for Candelaria Baca. The references we used are listed above. At this time, this is all we found:
Active: 1935-?
Comments:
Betty LaFree, author of Santa Clara Pottery Today,
mentions that in 1968, Candelaria Baca was an active potter during this time and
was approximately 50 to 60 years of age.
Wednesday, September 14, 2011
Mogollon Mimbres Polychrome Variant
NEW VARIANT TYPE ADDED! http://rarepotteryinfo.siteprotect.net/protect/MimbresPolychromeVariants.htm
This bowl is technically a polychrome due to the exterior having a white design "finger" painted on brown. The interior is a black geometric design painted on a white slip. Thus this bowl has three colors: White, Black, & Brown and can be defined as a polychrome.
Wednesday, August 24, 2011
Maricopa Pottery: Sallie McKinley
Added photos of two vessels to Maricopa Potter Sallie McKinley: http://rarepotteryinfo.siteprotect.net/protect/MaricopaSallieMcKinley.htm
Salado White-on-Red
Just added photos of the largest olla that we have ever seen of this particular pottery type: http://rarepotteryinfo.siteprotect.net/protect/saladowhiteonred.htm
Measures Approximately 15 1/2" by 12"
Mojave Pottery Pipe
Added photos of a Mojave Pottery Pipe attributed to Annie Fields: http://rarepotteryinfo.siteprotect.net/protect/MohaveAnnieFields.htm
Wednesday, August 17, 2011
Recommended Reading:
Clan migrations of the Jornada Mogollon Hopi and Casas Grandes Hopi enroute to the Hopi Mesas
A Framework for Understanding the Evolution of Survey Methods in Cultural Resource Management (A Paper Presented in the Symposium "Low Density Archaeological Phenomena" at the Fifth Jornada Mogollon Conference, Human Systems Research, Tularosa, New Mexico, October 16, 1987)
To learn more about the Jornada Mogollon we recommend Jornada Mogollon Archaeology, Collected Papers from the Eleventh Jornada Mogollon Conference. 2001. Edited by Patrick H. Beckett.
Advances in Middle Pecos Archaeology (Proceedings of a Symposium Held at the Fourth Jornada Mogollon Conference, Tularosa, New Mexico, on October 12, 1985)
THE JORNADA BRANCH OF THE MOGOLLON. University of Arizona Bulletin Vol. XIX No. 2 April, 1948. Social Science Bulletin No. 17.
A Framework for Understanding the Evolution of Survey Methods in Cultural Resource Management (A Paper Presented in the Symposium "Low Density Archaeological Phenomena" at the Fifth Jornada Mogollon Conference, Human Systems Research, Tularosa, New Mexico, October 16, 1987)
To learn more about the Jornada Mogollon we recommend Jornada Mogollon Archaeology, Collected Papers from the Eleventh Jornada Mogollon Conference. 2001. Edited by Patrick H. Beckett.
Advances in Middle Pecos Archaeology (Proceedings of a Symposium Held at the Fourth Jornada Mogollon Conference, Tularosa, New Mexico, on October 12, 1985)
THE JORNADA BRANCH OF THE MOGOLLON. University of Arizona Bulletin Vol. XIX No. 2 April, 1948. Social Science Bulletin No. 17.
Wednesday, August 3, 2011
Artifacts: Stone Palettes
Studying the "evolution" of stone palettes - they basically began and ended as uninteresting, unshaped, and undecorated flat stones used for mixing or pulverizing paint pigments, however, during their "hayday" in the Colonial Period, many were quite exquisite. Stone palettes became a unique artifact during the Colonial Period that were primarily made by the Hohokam. Trade with the Hohokam may have influenced Mimbres stone carvers to make palettes also, but not as many or as elaborate as the Hohokam. Most palettes easily fit in ones hand being rectilinear in shape. Most measure between four to eight inches in length, however they were made in a wide range of sizes. Miniatures have been found as well as comparatively huge "altar" pieces. Palettes are usually made of slate or slate-like schist, earlier and later undecorated ones were usually made of harder stone. Many have a slight basin in or near the center caused by grinding. Some have been found containing traces of red, white, and yellow paints, although palettes may have been used to grind organic material as well. Many have been found with patches of lead slag encrustations on the surfaces, some of these have small vitreous green glaze patches also. Most palettes were offerings used in cremation ceremonies, but not all of them. The lead was likely lead carbonate and when burned glowed a strong red color (Hawly in Gladwin & others, 1965;282-289) Perhaps adding other ores produced other colors when burned. A copper ore was likely added to the ones that produced the green glaze. Palettes may have been used for a variety of things, they have been called receptacles, trays, snuff trays, tablets, plaques, lapstones, paint slabs, and even game boards.
Tuesday, August 2, 2011
TAOS Pueblo
Rising five stories from the base of Taos Mountain, the Pueblo is the inspiration for what is now known as Southwestern Architecture.
Yes, Taos has a casino. A portion of the revenue generated from the casino goes to purchasing land adjacent to Blue Lake. Blue Lake, an important religious site to the people of Taos Pueblo, was designated a National Forest by Presedent Roosevelt in 1906. Taos didn't even know of the forest designation until two men went to worship and where told they needed a "special use Permit" from the government. Upon visiting the area the men found that right on the site cabins, corrals, and an outhouse had been built. Many believed that Blue Lake had been lost forever, but 70 years later it was returned to the tribe. Along with 48,000 acres, Blue Lake was the first-ever piece of land returned by the U.S. Government.
Taos Pueblo has their own buffalo herd which they started in 1929. They started out with just 18 bison purchased from a Texas rancher. The rancher, Charles Goodnight, rescued buffalo calves orphaned by the U.S. Government's massacre of the herds during the 1800s. Mr. Goodnight passed on a short time after selling to the Taos Pueblo. Goodnight's rescues are the foundation of many of todays thriving herds, such as those found in Yellowstone National Park. Today, Taos Pueblo has an estimated 120-head in their bison herd. The herd is kept for traditional purposes and is not available to tourists.
Monday, August 1, 2011
Hohokam Crucibles
GILA PLAIN CRUCIBLES
AKA: Heavy-walled vessels
Date: A.D. 750 - 1125
Gila plain Crucibles may simply be a unique or rare form of a censer to burn incense. Although the small orifice would be proper for a crucible in that it would help to retain heat and its contents would be less likely to boil out. Most are in the shape of a seed jar with a small orifice. A few have short necks, some may be considered to have rounded "gila shoulders" while others have "normal" rounded bottoms (in profile). They can be relatively thin at the top but gain thickness toward the bottom. They are only known to date from the Colonial thru the Sedentary Periods (A.D. 750-1125) and became more common as time passed.
A few have been found to contain a pitch like substance and when burned, smelled like pitch (Haury,1978; 228). Their use as a censer or crucible has been explored, another possibility is that they could have been used as a hand-held light. The small orifice would lend itself to illuminate just the head of a person much the way a flashlight does for Halloween storytellers. One can image further that a masked priest or "shaman" could be a distance away from a crowd on a dark night with only his masked head illuminated while moving, perhaps seemingly floating around!
Advertising
WWW.RAREPOTTERY.INFO is the largest virtual museum on southwestern Native American Pottery. We currently have over 10,000 photographs! This site is designed to promote past, present, and future potters with hope of continuing the pottery making tradition that is currently being threatened on several southwestern reservations.
We have been mentioned in List of Southwestern Pottery Types and Wares by Norman Oppelt, 2008 and the Layman's Field Guide to Ancestral Puebloan Pottery Northern San Juan/Mesa Verde Region by Louis A. Green, 2010.
We have a huge number of followers, made up of collectors, researchers, tourists, and students of archaeology. Some are first time users searching the internet for information on a particular pot that they know nothing about, something left to them by a relative, a gift from a friend, a find at a yard sale, estate sale, or auction. The majority of visitors are from the United States, however we are starting to see more of an interest from around the world, places such as Mexico, Brazil, Argentina, Germany, United Kingdom, and Indonesia.
New content is added to our site almost daily. We just recently started this blog page, not to be used as a chat area, but as a spot for visitors to find out what the most recent additions have been since their last visit. This continued increase in content makes it so viewers visit www.rarepottery.info repeatedly and frequently.
Sponsorship of our web site would raise the profile of your company amongst potential customers. We have multiple levels of sponsorship available:
CLAY LEVEL: Starting from raw materials is the beginning or birth of a pot. A link to your company web site will be added to the Links and Sponsors Page. $100. per year.
PIGMENT LEVEL: Let's add some color! Over time, pottery went from a dull plain ware to multi colored works of art. At this level your company will receive the link on our Links and Sponsors Page, one ad on the cultural or potters page of your choice, plus a mention on our Facebook Page. $500. per year.
POTTERY LEVEL: You appreciate pottery as an art form and want to see potters continue an ancient tradition. At this level your company will receive the link on our Links and Sponsors Page, an ad on the FIVE cultural or potters pages of your choice, a mention on our Facebook Page PLUS an ad on our Blogspot. $900. per year.
Saturday, July 30, 2011
The Pueblo of Picuris
The Pueblo of Picuris / Pikuria
Those Who Paint
Picuris Pueblo is well known for its micaceous pottery, made from a local clay that contains mica. The source of the Mica, a shiny silicate that forms in thin sheets is found in areas of the Sangre de Cristo Mountains. In the 1950's the Picuris people were banned from gathering the micaceous clay after the area become a private mine. The Picuris Pueblo lost two court cases and feared that they could lose their pottery-making tradition forever. The Pueblo organized protests and received media attention, along with mica prices dropping in late 2004, and early 2005, the private mining company, Oglebay Norton, was ready to sell. The pueblo purchased the mine on April 25, 2005 with funding from the Tribal Government and the Lannan Foundation. The Pueblo of Picuris, under the Abandoned Mines Act, is working to fully restore the area. Along with the reclamation work of the mine, the traditional , time honored art of micaceous pottery has been revived by allowing access for clay gathering.
Those Who Paint
Picuris Pueblo is well known for its micaceous pottery, made from a local clay that contains mica. The source of the Mica, a shiny silicate that forms in thin sheets is found in areas of the Sangre de Cristo Mountains. In the 1950's the Picuris people were banned from gathering the micaceous clay after the area become a private mine. The Picuris Pueblo lost two court cases and feared that they could lose their pottery-making tradition forever. The Pueblo organized protests and received media attention, along with mica prices dropping in late 2004, and early 2005, the private mining company, Oglebay Norton, was ready to sell. The pueblo purchased the mine on April 25, 2005 with funding from the Tribal Government and the Lannan Foundation. The Pueblo of Picuris, under the Abandoned Mines Act, is working to fully restore the area. Along with the reclamation work of the mine, the traditional , time honored art of micaceous pottery has been revived by allowing access for clay gathering.
Thursday, July 28, 2011
Subscribe to:
Posts (Atom)