Thursday, December 22, 2011

Link to: "Resisting Diversity: A Long-term Archaeological Study"

http://www.ecologyandsociety.org/vol16/iss1/art25/

Use the above link for an article in an online journal: "Resisting Diversity: A Long-term Archaeological Study" by M.C. Nelson, M. Hegmon, S. Kulow, M. Peeples, K. Kintigh, and A.Kinzig. Copyright 2011.

Suggested Reading: Mimbres Lives & Landscapes

Wednesday, December 21, 2011

Hohokam - University Indian Ruin




University Indian Ruin, Tucson, Arizona: This site preserves 13 acres of a Classic Period Hohokam Settlement (A.D. 1150-1450). At the center is a large platform mound that served as the civic and ritual building. A much smaller platform mound to the east was also used simutaneously. Upon excavation of an adobe structure, a wide array of core and ground stone artifacts and parts of Bison were strewn throughout. Most interestingly, Zuni Glaze Wares were also found, suggesting late occupation. Large amounts of burned trash, useful tools, and reconstructible bowls were found throughout the fill. (Glyphs, Vol. 61, No. 12, June 2011)

Hopi Pottery

Added Rainy Naha to Hopi-Tewa Potters: http://rarepotteryinfo.siteprotect.net/HopiRainyNaha.htm



Sunday, November 27, 2011

The Papago / Tohono O'odham



Papago / Tohono O'odham Potter: Susie Pedro

Thanks to personal correspondence from a private collector we have been able to add another potter to the Papago / Tohono O'odham list. Susie Pedro.
http://www.rarepottery.info/PapagoTohonoOOdhamVirtualMuseum.htm

Wednesday, November 16, 2011

Publication - Cochiti Pottery

Cochiti Potter - Virgil Ortiz


Born: 1969


Vessel Forms: Figures/Effigies/Monos, Ollas/Jars, Canteens

Comments: 2006 Santa Fe Indian Market Poster Artist

Not only is Virgil a ceramic artist, he is also a fashion designer.

Trademark graphic black swirls.

Even though the standing figures or Monos that Virgil makes are very contemporary in appearance, they are actually a revival of a form that first was seen in the late 1800s. Virgil redefines these early forms into his own creations, which stand out and get noticed. Yet his every step involves traditional pottery making techniques. Virgil digs his own clay and processes it, then builds the figures from coils. Over a white clay slip he paints his vessels with black pigment from wild spinach leaves. Then fires in an outdoor open fire.

References:
Indian Market Magazine, Santa Fean Publication
2006 Collector's Edition

Thursday, October 6, 2011

Santa Clara Potter - Candelaria Baca






There are so many potters that we have not added to our web site. To put a potter to the top of the list, we take special requests. The most rescent request was for Candelaria Baca. The references we used are listed above. At this time, this is all we found:

Active: 1935-?

Comments:
Betty LaFree, author of Santa Clara Pottery Today,
mentions that in 1968, Candelaria Baca was an active potter during this time and
was approximately 50 to 60 years of age.

Mogollon Jornada Lincoln Black-on-Red

Added photographs to http://rarepotteryinfo.siteprotect.net/protect/JornadaLincolnBlackonRed.htm



Wednesday, September 14, 2011

Acoma Pottery

Added Photos to: http://rarepotteryinfo.siteprotect.net/AcomaEarlyPottery.htm

Mimbres Christmas Cards

New Book

Mogollon Mimbres Polychrome Variant

NEW VARIANT TYPE ADDED! http://rarepotteryinfo.siteprotect.net/protect/MimbresPolychromeVariants.htm



This bowl is technically a polychrome due to the exterior having a white design "finger" painted on brown. The interior is a black geometric design painted on a white slip. Thus this bowl has three colors: White, Black, & Brown and can be defined as a polychrome.

Mogollon San Simon Brownware Encinas Red-on-Brown

Added photos to: http://rarepotteryinfo.siteprotect.net/protect/EncinasRedonBrown.htm

Anasazi Matsaki Polychrome

Added new photos to: http://rarepotteryinfo.siteprotect.net/protect/MatsakiPolychrome.htm

Mogollon Alma Plain

Added photos to http://rarepotteryinfo.siteprotect.net/protect/AlmaPlain.htm

Wednesday, August 3, 2011

Artifacts: Stone Palettes

Studying the "evolution" of stone palettes - they basically began and ended as uninteresting, unshaped, and undecorated flat stones used for mixing or pulverizing paint pigments, however, during their "hayday" in the Colonial Period, many were quite exquisite. Stone palettes became a unique artifact during the Colonial Period that were primarily made by the Hohokam. Trade with the Hohokam may have influenced Mimbres stone carvers to make palettes also, but not as many or as elaborate as the Hohokam. Most palettes easily fit in ones hand being rectilinear in shape. Most measure between four to eight inches in length, however they were made in a wide range of sizes. Miniatures have been found as well as comparatively huge "altar" pieces. Palettes are usually made of slate or slate-like schist, earlier and later undecorated ones were usually made of harder stone. Many have a slight basin in or near the center caused by grinding. Some have been found containing traces of red, white, and yellow paints, although palettes may have been used to grind organic material as well. Many have been found with patches of lead slag encrustations on the surfaces, some of these have small vitreous green glaze patches also. Most palettes were offerings used in cremation ceremonies, but not all of them. The lead was likely lead carbonate and when burned glowed a strong red color (Hawly in Gladwin & others, 1965;282-289) Perhaps adding other ores produced other colors when burned. A copper ore was likely added to the ones that produced the green glaze. Palettes may have been used for a variety of things, they have been called receptacles, trays, snuff trays, tablets, plaques, lapstones, paint slabs, and even game boards.


Tuesday, August 2, 2011

TAOS Pueblo

Rising five stories from the base of Taos Mountain, the Pueblo is the inspiration for what is now known as Southwestern Architecture.

Yes, Taos has a casino. A portion of the revenue generated from the casino goes to purchasing land adjacent to Blue Lake. Blue Lake, an important religious site to the people of Taos Pueblo, was designated a National Forest by Presedent Roosevelt in 1906. Taos didn't even know of the forest designation until two men went to worship and where told they needed a "special use Permit" from the government. Upon visiting the area the men found that right on the site cabins, corrals, and an outhouse had been built. Many believed that Blue Lake had been lost forever, but 70 years later it was returned to the tribe. Along with 48,000 acres, Blue Lake was the first-ever piece of land returned by the U.S. Government.

Taos Pueblo has their own buffalo herd which they started in 1929. They started out with just 18 bison purchased from a Texas rancher. The rancher, Charles Goodnight, rescued buffalo calves orphaned by the U.S. Government's massacre of the herds during the 1800s. Mr. Goodnight passed on a short time after selling to the Taos Pueblo.  Goodnight's rescues are the foundation of many of todays thriving herds, such as those found in Yellowstone National Park.  Today, Taos Pueblo has an estimated 120-head in their bison herd. The herd is kept for traditional purposes and is not available to tourists.

Monday, August 1, 2011

Hohokam Gila Plain of the Classic Period

Added photos to: http://rarepotteryinfo.siteprotect.net/protect/HohokamPhoenixGilaPlainCivanoPhase.htm

Hohokam Gila Plain Sacaton Phase

Added photos to: http://rarepotteryinfo.siteprotect.net/protect/HohokamGilaPlainSacatonPhase.htm

Hohokam Sacaton Buff

New photos added to: http://rarepotteryinfo.siteprotect.net/protect/sacatonbuff.htm

Hohokam Crucibles

GILA PLAIN CRUCIBLES
AKA: Heavy-walled vessels
Date: A.D. 750 - 1125

Gila plain Crucibles may simply be a unique or rare form of a censer to burn incense. Although the small orifice would be proper for a crucible in that it would help to retain heat and its contents would be less likely to boil out. Most are in the shape of a seed jar with a small orifice.  A few have short necks, some may be considered to have rounded "gila shoulders" while others have "normal" rounded bottoms (in profile). They can be relatively thin at the top but gain thickness toward the bottom. They are only known to date from the Colonial thru the Sedentary Periods (A.D. 750-1125) and became more common as time passed.
A few have been found to contain a pitch like substance and when burned, smelled like pitch (Haury,1978; 228). Their use as a censer or crucible has been explored, another possibility is that they could have been used as a hand-held light. The small orifice would lend itself to illuminate just the head of a person much the way a flashlight does for Halloween storytellers. One can image further that a masked priest or "shaman" could be a distance away from a crowd on a dark night with only his masked head illuminated while moving, perhaps seemingly floating around!







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Saturday, July 30, 2011

The Pueblo of Picuris

The Pueblo of Picuris / Pikuria

Those Who Paint


Picuris Pueblo is well known for its micaceous pottery, made from a local clay that contains mica. The source of the Mica, a shiny silicate that forms in thin sheets is found in areas of the Sangre de Cristo Mountains. In the 1950's the Picuris people were banned from gathering the micaceous clay after the area become a private mine. The Picuris Pueblo lost two court cases and feared that they could lose their pottery-making tradition forever. The Pueblo organized protests and received media attention, along with mica prices dropping in late 2004, and early 2005, the private mining company, Oglebay Norton, was ready to sell. The pueblo purchased the mine on April 25, 2005 with funding from the Tribal Government and the Lannan Foundation. The Pueblo of Picuris, under the Abandoned Mines Act, is working to fully restore the area. Along with the reclamation work of the mine, the traditional , time honored art of micaceous pottery has been revived by allowing access for clay gathering.